Make a 'Sepia Tones' music video from your song
Audio-reactive • Up to 4K • Exports in minutes
Trusted by 23,587+ artists
"Neural Frames is a game-changer for music visuals." — Dom Capuano
Can I use these videos commercially?
Yes! All videos created with Neural Frames can be used for commercial purposes. You retain full rights to your content.
How fast can I get my first video?
Your first render typically completes in 5-10 minutes. Upload your audio, choose a style, and we'll handle the rest.
Is there a free plan?
Yes! Start with our free plan to explore the platform. No credit card required to try.
Step into a world where time feels suspended and every frame carries the weight of cherished memories with sepia tones, a timeless aesthetic that transforms ordinary moments into profound visual poetry. This warm, monochromatic palette evokes the golden age of photography and cinema, wrapping your stories in an amber glow that speaks to themes of nostalgia, heritage, and the bittersweet passage of time. Whether you're crafting tales of generational wisdom, exploring the ghosts of the past, or simply wanting to infuse your videos with an intimate, contemplative atmosphere, sepia tones offer creators the perfect canvas to blur the lines between memory and reality.
Explore our collection of 2 AI music videos in Sepia Tones style. These videos have been made by our users. For copyright reasons, we've removed the original music from these samples.
Song
An elderly farmer/biker in rural Kentucky encounters a frustrated young man with no cell service, leading to a contemplative exchange. The scene explores themes of nostalgia, connection, and the contrast between modern and traditional lifestyles.
Brutus
A Victorian gentleman, Brutus, dreams of a train crash and his subsequent existence as a ghost, observing his family from afar and experiencing the passage of time. He then reawakens from his nap to find his family waiting for him at the train station.
No VC money, just a small, hard-working team, in love with AI music videos.
